camerateam

Camerateam is the collective term for the crew responsible for operating and supporting the camera on a film, television, or live production. The camera team is led by the director of photography (DP), who designs the visual language and oversees camera operation. Core members typically include a camera operator, a first assistant camera (1st AC or focus puller), and a second assistant camera (2nd AC or slate/load). Additional specialists such as dolly grips, crane operators, and steadicam or gimbal operators may be part of the team depending on the project.

Responsibilities: The camera operator handles framing and movement under the DP’s direction. The focus puller maintains sharp focus during takes, adjusting the lens' focus ring as the actors move. The 1st AC manages equipment, mounts, lens changes, and helps keep the camera safe; the 2nd AC handles clapper/slate, data management, and equipment logistics. The dolly grip, crane operator, or steadicam/gimbal operator controls the camera’s mechanical movement and stabilization, following blocking and shot lists.

Workflow: Before shooting, the DP and director plan shots, choose lenses, establish coverage, and prepare a shot list and blocking. On set, the camera team executes takes, calibrates exposure, checks focus, and coordinates with lighting and sound departments. After each scene, they secure equipment, log footage, and update shot records.

Context: In film and high-end television, the camera team works within a larger crew and may work with digital cinema cameras, multi-camera setups, or remote rigs. In live events or sports, the team adapts for quick setups and continuous coverage. Training often includes formal programs or apprenticeships, with experience gained through on-set work and collaboration with the DP and director.