Hodesstemme

Hodesstemme, also known as head voice, is a term in singing and voice pedagogy for the high portion of the singer’s range. It refers to a vocal production in which resonance is concentrated in the head and in facial cavities, producing a light but still projection-rich timbre suitable for higher pitches. In Norwegian usage, it is discussed together with bryststemme (chest voice) and mixed voice as part of the vocal register system.

Physiology and characteristics: The larynx tends to stay relatively relaxed and the vowels are placed forward, with energy transmitted to the head and upper resonators. The vocal folds vibrate in a way that yields a lighter, often brighter tone compared with chest voice. It is distinct from falsetto, though such high notes can be produced in different phonation modes; trained singers aim for a balanced head voice with adequate vocal fold closure and support rather than a breathy falsetto.

Technique and training: Development typically includes gentle warm-ups such as sirens, scales on mid-to-high vowels, and exercises that encourage forward resonance. Practice aims to connect chest and head through a mixed voice to ensure smooth crossovers (passaggio). Good breath support and jaw, tongue, and neck relaxation are emphasized to avoid tension.

Usage and context: Hodesstemme is central in classical singing for high passages and in musical theatre and contemporary styles that demand high notes with carrying, focused tone. The term and its practical interpretation vary among teachers and pedagogical traditions, and some voices rely more on mixed voice to blend registers.

See also: Bruststemme (chest voice), mixed voice, falsetto.