Sutárabban

Sutárabban is a term used in Hungarian-language discourse to describe a stylistic or interpretive phenomenon in which meaning is layered through multiple subtexts within a text or speech. It refers to practices that embed concealed or secondary messages beneath a surface narrative, inviting readers or listeners to interpret beyond the obvious.

Etymology and origin: The term is a modern neologism with uncertain roots. It appears to be a Hungarian coinage formed by combining a root syllable sutár- with the locative suffix -ban, following typical Hungarian word-formation patterns. There is no consensus on a single historical origin, and some scholars treat sutárabban as a descriptive label rather than a historical term. Because it is relatively new, its precise boundaries and definitions remain debated.

Usage: Sutárabban is primarily used in literary criticism, media analysis, and online discussions of narrative technique. It is associated with postmodern and metafictional works, as well as propaganda or social commentary that relies on layered rhetoric, irony, or unreliable narration. The concept is usually employed to describe how authors or speakers conceal or encode meaning across multiple textual layers.

Examples: Critics might note sutárabban in a novel where diary entries, official records, and social media posts are presented side by side, with the apparent truth only emerging after cross-referencing the layers. In analysis, recognizing sutárabban involves examining how different voices interact and how surface assertions may mask deeper implications.

See also: metafiction, polyphony, unreliable narration, layering, rhetoric analysis. Often discussed in contemporary literary criticism and media studies as a descriptive tool for multi-layered communication.

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