GolpeadorSchallplatte

GolpeadorSchallplatte is a term used in experimental sound discourse to describe a concept or device that merges a golpeador, or beater, with a Schallplatte, the German word for a phonograph record or vinyl disc. The name itself is a portmanteau reflecting an interest in physical interaction with vinyl surfaces as a source of sound, rather than purely electronic or purely mechanical playback.

In principle, GolpeadorSchallplatte refers to methods or apparatuses that deliberately apply controlled mechanical strikes to a vinyl record to shape its sonic output. Practitioners may use a motorized or servo-driven beater that taps or presses against the record during playback or from a stationary position, producing percussive textures, rhythmic hits, and unconventional timbres that go beyond traditional scratching or stylus movement. The approach emphasizes the materiality of the record and the audible consequences of contact, often in combination with amplification, contact microphones, or resonance-sensitive processing.

Typical implementations involve a mounted striker with adjustable force and timing, a control system to regulate strike intervals, and sensing elements to monitor contact or sound. Care is commonly taken to protect both the record and the playback system, since repeated or excessive impacts can cause wear or damage. Some practitioners also explore digital processing or hybrid setups that translate mechanical hits into electronic signals for further manipulation.

GolpeadorSchallplatte remains a niche concept within experimental music and sound art, with no standardized instrument or widespread consensus on technique. It is discussed in relation to physical sound production on vinyl, turntablism, prepared vinyl practices, and musique concrète-inspired explorations. See also: turntablism, prepared vinyl, contact microphone, musique concrète.