gavotte

Gavotte is a traditional French dance and musical form that originated in the rural communities of France, particularly in the Gascony region, and grew popular from the 16th century onward. In classical music, the gavotte became a staple movement in Baroque and later French-influenced suites, where it was used as a stylized dance piece alongside other forms such as the courante, sarabande, and minuet.

In musical terms, the gavotte is typically a duple-meter piece, often written in a binary form (AABB) and performed at a moderate tempo. It commonly features an upbeat or anacrusis at the start of phrases and a cadence that emphasizes the second half of each pair of measures. The style is characterized by a clear, greedy melodic line, ornamentation, and repeated two- or four-bar phrases that invite decorative playing by the performer.

Among notable composers associated with the gavotte are Johann Sebastian Bach, François Couperin, Jean-Baptiste Lully, and Jean-Philippe Rameau. In Bach’s keyboard and violin works, as well as in Couperin’s ordres and Rameau’s suites, the gavotte appears as a formal and melodic contrast to other dances. The form was widely adapted for both instrumentals and vocal accompaniments during the Baroque era and remained influential in French musical aesthetics.

In folk practice, the gavotte persists as a traditional French dance, performed in couple or line formations with regional variations in steps and tempo. It remains a reference point in the broader family of European folk dances and in later classical arrangements inspired by French dance forms.