×103

×103 is a Japanese visual kei rock band formed in 2006 in Tokyo. The group consists of four members: vocalist and guitarist **Tetsu**, bassist **Kazuki**, guitarist **Kazuma**, and drummer **Takuya**. Their name is derived from the mathematical notation "×103," symbolizing their ambition to grow exponentially in popularity and influence.

The band emerged during the late 2000s visual kei scene, a subgenre of rock music characterized by elaborate stage outfits, dramatic visuals, and a blend of Japanese and Western musical styles. ×103 gained attention for their energetic live performances and eclectic sound, which incorporates elements of hard rock, metal, and alternative music. Their music often features dynamic shifts in tempo, complex guitar work, and powerful vocal performances.

×103 released their debut album, *The Beginning of the End*, in 2009, which included the hit single "Kimi no Uta." The album showcased their ability to balance melodic hooks with intense instrumental sections. Subsequent releases, such as *The End of the Beginning* (2010) and *The Beginning of the End II* (2012), further solidified their reputation as a band capable of evolving their sound while maintaining a strong fanbase.

The band is known for their intense stage presence and elaborate costumes, often drawing comparisons to other prominent visual kei acts like Malice Mizer and The GazettE. ×103 has also collaborated with other artists and participated in various music festivals, contributing to their growing popularity within the Japanese music community.

In addition to their musical career, ×103 has been involved in side projects and limited releases, including a collaboration with the band **The GazettE** on the single "Kimi no Uta ~The End of the Beginning~." Their discography reflects a commitment to experimentation and artistic growth, making them a notable figure in the visual kei genre.

Despite their active career, ×103 has taken extended breaks, with their last major activity occurring in the early 2010s. As of recent years, the band has remained relatively inactive, though they have occasionally shared updates or performed at smaller events. Their influence on the visual kei scene persists, and they remain a reference point for fans of the genre.