viskotusta

Viskotusta is a term that appears in a limited set of online glossaries and niche ethnomusicology writings to denote a form of vocal or performative practice. There is no consensus definition, and usage varies by author, making viskotusta a loosely defined concept rather than a standardized term. The etymology is unclear; it is generally treated as a neologism rather than a word with a clear historical lineage.

Definitions and senses: In some sources, viskotusta refers to a vocal technique involving sustained, resonant vowels produced with careful breath management, sometimes in meditative or ritual settings. In others, it designates an approach to performance that emphasizes timbre, microtonal shading, and dynamic contour, used by soloists or small ensembles. A few writers describe viskotusta as a conceptual framework for exploring voice as an instrument, rather than a fixed repertoire.

History and usage: The concept seems to have emerged in late 20th or early 21st-century online communities and has been sporadically discussed in obscure journals, but it has not become part of a formal academic taxonomy. Because of its scattered usage, citations and definitions can conflict.

See also: Vocal techniques, Ethnomusicology, Experimental music, Glossaries of music terms.