småsnabbande

Småsnabbande is a term used in Swedish-language music theory to describe a technique of tempo shaping in which a passage gradually speeds up by many very small increments rather than a single broad accelerando. The word combines små (small) and snabbande (speeding up).

Definition and concept: A småsnabbande passage is characterized by a continuous, subtle increase in tempo that can be scarcely perceptible on a beat-by-beat basis, creating a sense of momentum. Unlike a formal accelerando with a clear tempo change, småsnabbande often unfolds as a series of micro-accelerations aligned with phrasing, articulation, and rhythmic drive.

Notation and performance: There is no standard graphical notation for småsnabbande in Western scores. Composers or editors may indicate it in performance notes or rely on gently provided tempo trends such as hairpins or marks like poco piu mosso. Performers interpret the micro-accelerations within the context of rubato and ensemble balance.

Context and usage: The term appears in discussions of contemporary classical music and Swedish music theory as a descriptive concept for micro tempo modulation, rather than a widely taught technique. It can be relevant in works aiming to propel music forward with a subtle, almost imperceptible push.

Relation to related terms: Småsnabbande is related to accelerando and poco accelerando but differs in scale and granularity. It also relates to tempo rubato when tempo fluctuations are tied to expressive goals rather than solely to structure.

History and reception: Småsnabbande is a relatively niche term in international musicology, primarily used within Swedish-language writings. Its usage varies, and some theorists prefer more traditional terms for describing gradual tempo changes.

See also: accelerando, poco accelerando, rubato, tempo, tempo marking.