kétütéses

**Kétütéses** refers to a musical term used primarily in Hungarian folk music and classical compositions influenced by Hungarian traditions. The term literally translates to "two-stroke" or "double-stroke," describing a rhythmic pattern where two notes are played in quick succession, often accented or emphasized. This rhythmic figure is a hallmark of many Hungarian folk dances, such as the *csárdás* and *veresbölögi*, where it contributes to the lively, driving character of the music.

The **kétütéses** pattern typically consists of a strong, downbeat accent followed by a slightly delayed, syncopated second note, creating a distinctive "two-beat" feel. Musicians and composers often use this rhythm to evoke the energy and spirit of Hungarian folk culture. In classical music, composers like Béla Bartók and Zoltán Kodály incorporated the **kétütéses** into their works, blending traditional folk elements with contemporary compositional techniques.

The term is also used more broadly in Hungarian music theory to describe a specific rhythmic motif, particularly in the context of *lengyel* (Polish) and *tánc* (dance) styles. While the **kétütéses** is most closely associated with Hungarian music, similar rhythmic patterns appear in other Central and Eastern European traditions, reflecting shared cultural influences.

For performers, mastering the **kétütéses** involves precise timing and dynamic contrast, as the delayed second note often carries a lighter or softer articulation. This rhythmic device remains a key feature in both traditional and modern Hungarian music, preserving its role as a defining element of the country’s musical heritage.