Artists associated with biosurrealism employ a variety of methods, including bioart, genetic engineering, and mycelium-based sculptures, to produce installations, paintings, and performances. Some works involve cultivating organisms in controlled environments to grow intricate, organic forms, while others use biotechnology to alter genetic sequences, resulting in hybrid or mutated life forms. The aesthetic often blends the grotesque with the beautiful, evoking a sense of wonder and unease as viewers confront the fragility and complexity of living systems.
Biosurrealism gained visibility in the late 20th and early 21st centuries, influenced by advancements in biotechnology and a growing interest in eco-art and speculative design. Unlike traditional surrealism, which primarily relied on imagery and dreamlike symbolism, biosurrealism engages with tangible biological matter, making it a more immersive and physically present form of artistic expression. Critics and enthusiasts alike debate its ethical boundaries, particularly regarding the use of living organisms in art, but its proponents argue that it fosters dialogue about humanity’s relationship with nature and the ethical considerations of scientific progress.
While not yet a widely recognized movement with a defined canon, biosurrealism overlaps with fields like bioart, speculative biology, and ecological art. Its works are often exhibited in contemporary art galleries, science museums, and interdisciplinary festivals, where they attract audiences interested in the intersection of art, science, and philosophy. The movement continues to evolve as artists experiment with new biological techniques and conceptual frameworks, pushing the boundaries of what constitutes art in the context of living systems.