Postdubstep

Postdubstep is a loosely defined strand of electronic music that emerged in the United Kingdom in the late 2000s as a reaction to the heavier, bass-focused sound of dubstep. Rather than a single style, it describes a family of productions that retain dubstep's low-end emphasis while prioritizing texture, mood, and melodic or vocal elements. The term has been applied to both experimental club music and more introspective, lyric-driven works.

Musically, postdubstep tends to feature spacious arrangements and a focus on atmosphere over heavy drops. It often employs slower or variable tempos (roughly 100–130 BPM) and blends elements from ambient, UK garage, jazz, and R&B with melodic, sometimes soulful, sensibilities. The sound emphasizes texture and space, using reverb, delay, and inventive sampling, with rhythmic patterns that can be understated, jittery, or half-time rather than knock-you-down basslines.

Prominent figures associated with postdubstep include James Blake, Mount Kimbie, SBTRKT, Joy Orbison, and Roska. Early releases on labels such as Hyperdub, True Panther, and Hotflush helped define the sound, while releases by Jamie xx and others in the early 2010s brought greater pop and vocal appeal. The movement is linked to broader UK leftfield electronic music and to crossovers between electronic and indie or vocal-driven styles.

Reception and legacy: The term faded as artists pursued more specialized directions, and some sounds migrated into related scenes such as future bass, experimental pop, and indie electronic. Nevertheless, postdubstep influenced a generation of producers to foreground texture, mood, and vocal-centric songwriting within electronic music. It remains a useful umbrella term for a particular lineage that helped broaden the scope of dubstep beyond bass-heavy club music.