Pinup

Pinup refers to visual imagery, typically of women, designed to be displayed by pinning it to walls or noticeboards. The term arises from the practice of “pinning up” posters or photographs and is associated with a distinct glamour aesthetic that conveys flirtation, playfulness, and an idealized form. Pinups may be photographs or illustrations and have served roles in entertainment, advertising, and morale-boosting, especially in the mid-20th century.

Pinups gained prominence in the United States during the 1930s and 1940s, especially as wartime morale imagery for servicemen. The form became widespread through calendars, posters, and illustrated magazines. Notable pinup artists include Alberto Vargas, Gil Elvgren, George Petty, and Rolf Armstrong, whose works appeared in calendars and advertisements and helped shape the recognizable style of polished glamour, bright expressions, and stylized poses. The fashion associated with pinups often features fitted dresses, stockings, corsets, and high-heeled footwear reflective of mid-20th-century aesthetics.

The pinup influence extended beyond entertainment to fashion, advertising, and film, contributing to archetypes such as the glamour or calendar girl. After the 1950s, pinups declined in mainstream media but persisted in niche markets and homages. In recent decades, retro and neo-pinup movements have revived the style in photography, fashion, and cultural events, frequently updating it with contemporary styling, body diversity, and feminist perspectives. Modern pinup communities emphasize posing techniques, professional presentation, and historical reference, while also exploring inclusive representation and new media platforms.