Pathfacing

Pathfacing is a term used primarily in the context of tabletop role-playing games (TTRPGs) and board games to describe a specific type of gameplay mechanic where players must navigate or "face" a path or series of obstacles, challenges, or choices that unfold in a structured, often linear progression. The term is most commonly associated with games that emphasize narrative-driven experiences, where the player’s decisions and actions directly influence the unfolding story or sequence of events.

In pathfacing games, the player typically follows a predefined sequence of encounters, events, or challenges, which may include combat, dialogue choices, skill checks, or environmental puzzles. Unlike sandbox-style games, where players have near-total freedom to explore and shape their experience, pathfacing games often restrict player agency to a certain extent, guiding them through a curated journey. This structure can enhance immersion by creating a cohesive, cinematic experience, though it may limit replayability compared to more open-ended systems.

The concept gained prominence in discussions about modern TTRPGs, particularly after the release of games like *Blades in the Dark* (2016) and *The Strange*, which intentionally employ pathfacing mechanics to streamline gameplay and focus on narrative depth. Critics and enthusiasts have debated the merits of pathfacing, with some praising its ability to create tight, engaging stories and others arguing that it sacrifices player freedom for convenience. Supporters of pathfacing often highlight its accessibility for new players and its effectiveness in delivering polished, high-quality experiences, while detractors may find it restrictive or overly scripted.

Pathfacing is not limited to TTRPGs; it also appears in solo RPGs, choose-your-own-adventure books, and even some video games, where players follow a guided progression rather than exploring freely. The mechanic remains a subject of ongoing discussion among gamers, reflecting broader debates about the balance between structure and player agency in narrative-driven experiences.