Passivatiefilms

Passivatiefilms are a genre of experimental filmmaking that emerged in the late 20th century. This style of filmmaking is characterized by the use of long, static shots and the absence of traditional narrative structure. The term "passivatiefilms" was first coined in the 1960s to describe the work of filmmakers who rejected the conventional approaches to storytelling.

Films in this genre often feature static shots that are held for extended periods of time, creating a sense of temporal dilation. The actors in these films may not be interactive or recite dramatic monologues, instead often engaging in mundane activities or simply existing on screen. The use of long takes and static shots creates a meditative atmosphere that slows down the viewing process, forcing the audience to engage more closely with the visual details on screen.

The passivatiefilm movement was often associated with the concept of "slow cinema," which sought to challenge traditional notions of storytelling and the role of the viewer in the cinematic experience. Passivatiefilms often explore themes of stillness, observation, and the nature of reality, placing more emphasis on the visual details and atmosphere of the scene rather than on traditional narrative elements. The influence of passivatiefilms can be seen in later experimental and avant-garde filmmaking, with many contemporary filmmakers continuing to push the boundaries of traditional storytelling.