Linoleumtryk

Linoleumtryk, or linocut, is a relief printmaking technique in which a design is carved into a sheet of linoleum. The raised areas of the block are inked and transferred onto paper, fabric, or other materials, producing a bold, graphic image. Because linoleum is softer and easier to cut than wood, it allows rapid execution and larger single-color blocks.

Materials and method: A design is drawn on the linoleum block. Using gouges and knives, the carver removes the areas that will remain unprinted. The remaining surface holds ink evenly when rolled with a brayer. The inked block is then pressed onto the chosen substrate by hand rubbing with a baren, or with a printing press.

Color and editions: Multi-color linoleum prints can be made by using separate blocks for each color or by reduction printing—carving away more of the block after each impression. Accurate registration is required to align colors. Prints are typically produced in limited editions.

History and context: Linoleum blocks have been used in printmaking since the early 20th century, gaining popularity for their simplicity and strong contrasts. The technique broadened access to printmaking in art studios and education, and has been employed in posters, illustrations, and fine art prints.

Technique notes: The quality of line depends on the cutting tools and pressure. Linoleum yields smooth lines and strong blacks but can wear with repeated printing, and fine detail can be challenging compared with softer materials. Inks vary from water-based to oil-based; paper choices affect texture and register.

Conservation and handling: Linoleum prints should be kept away from moisture and direct light. They are best stored flat or rolled with care and mounted on archival materials to prevent edge damage.