Képernyn

Képernyn is a neologism used in discussions of digital culture to denote the phenomenology of living through screens. The term refers to how images, interfaces, and algorithms mediate perception, memory, and social interaction, producing a hybrid experience that blends online and offline realities.

There is no widely accepted origin or standardized spelling for képernyn, and usage remains confined to niche academic and online discourse. The term is often described as a conceptual shorthand rather than a precise technical definition, with various writers adopting different nuances.

In conceptual work, képernyn encompasses how screen-based interfaces shape attention, social presence, and memory, including phenomena such as the pervasiveness of mobile devices, the circulation of images through feeds, and the blending of physical and digital spaces. It is commonly discussed alongside related ideas in media studies, such as mediation theory, digital embodiment, and ubiquitous computing.

Scholarly reception is mixed: some view képernyn as a useful shorthand for contemporary mediation patterns, while others critique it as vague or overly broad. The term has not achieved widespread mainstream adoption but remains a point of reference in small but active circles exploring digital culture and human–technology interaction.

See also: media ecology, second screen phenomena, human–computer interaction.