mezzosopranos

Mezzosoprano is a classical voice type for female singers whose range sits between that of a soprano and a contralto. In standard pedagogy, the mezzo’s practical range runs roughly from A3 to A5, with the tessitura often centered around G3–A4; some singers reach higher or lower notes depending on training and voice health.

Mezzo-sopranos are usually grouped into subtypes: coloratura mezzos (skilled in agile passagework and higher, brighter notes), lyric mezzos (warm, flexible, lyrical lines suitable for song and aria), and dramatic mezzos (a darker, stronger timbre able to project over large orchestras). The exact labeling varies by school.

Repertoire: The mezzo occupies a wide and prominent place in opera, delivering many leading and supporting roles. Common mezzo roles include Carmen (Carmen), Rosina (Barber of Seville) and Cherubino (The Marriage of Figaro) as a trouser role, Eboli (Don Carlo), Amneris (Aida), and Dalila (Samson et Dalila), as well as Octavian (Der Rosenkavalier) and Dorabella (Così fan tutte). In Baroque and Classical works, mezzos frequently sing roles written for young male characters (trouser roles) or coloratura parts that suit their range.

In performance practice: Mezzos often bridge soprano and contralto repertoires, with career trajectories that may shift toward lighter or heavier repertoire as their voices mature. They are a core component of opera companies and concert programs, offering a distinctive, versatile timbre that can range from lyrical to voluminous and dramatic.