följetider

Följetider are a popular genre of Swedish television series that originated in the 1960s and remain a staple of Swedish broadcasting today. The term *följetid* translates to "serial" or "continuation story," reflecting the format’s reliance on episodic storytelling with ongoing plots that unfold over multiple installments. Unlike traditional episodic series, where each episode stands alone, följetider often feature interconnected storylines that span weeks or even months, with cliffhangers and unresolved conflicts driving viewer engagement.

The format gained prominence during the 1960s and 1970s, particularly through programs like *Hem till byn* (1966–1970), which blended drama with lighthearted humor and social commentary. These early series often aired in prime time on Swedish public broadcaster SVT and addressed contemporary issues, such as rural life, family dynamics, and urban challenges. The format’s success stemmed from its ability to create a sense of continuity and familiarity for audiences, fostering a loyal viewership.

Modern följetider continue to thrive, with examples like *Bron/Broen* (2011–present), a crime drama that spans both Swedish and Danish borders, and *Andra Avenyn* (2014–present), a crime series set in Stockholm. While the genre has evolved to incorporate diverse themes—including crime, romance, and historical drama—the core structure of episodic storytelling with long-term arcs remains intact. The format’s enduring appeal lies in its balance of serial continuity and episodic accessibility, making it a distinctive feature of Swedish television culture.

Följetider are also notable for their influence on other Nordic countries, where similar serial formats have gained popularity. The genre reflects Swedish storytelling traditions, emphasizing character development and narrative depth over rapid-paced action or standalone episodes. As digital streaming platforms expand, följetider remain a defining element of Swedish television, appealing to both traditional viewers and new audiences seeking immersive, long-form storytelling.