døer

Düer, commonly rendered as Dürer in German and Durer in English, refers to Albrecht Dürer (1471–1528), a leading German painter, printmaker, and theorist of the Northern Renaissance. He helped spread Renaissance ideals through northern Europe by combining detailed naturalism with complex iconography.

Born in Nuremberg to a goldsmith, Dürer trained in his father’s workshop and then with Michael Wolgemut. He traveled in the early 1490s, and his first Italian exposure during the mid-1490s deepened his interest in perspective, anatomy, and classical motifs. The experience shaped his approach to form and composition when he returned to Germany.

Dürer’s prolific output includes some of the era’s most influential prints and paintings. Notable works are the engravings Knight, Death and the Devil (1513) and Melencolia I (1514), Saint Jerome in His Study (1514), and Adam and Eve (1504). He also produced enduring portraits and altarpieces, and the renowned Praying Hands drawing. His mastery of woodcut and copperplate engraving helped elevate printmaking to a high art form in its own right, with images disseminated across Europe.

In addition to his images, Dürer wrote on art theory and mathematics. In 1525 he published Unterweysung der Messung (The Instruction for Measuring), a treatise on proportion, geometry, and perspective, illustrated with diagrams. His systematic approach to measurement and his emphasis on observation and proportion had a lasting impact on Northern art.

Dürer’s influence extended through his workshop and through widely circulated prints. He died in his native Nuremberg, leaving a legacy as one of the most important figures in Renaissance art and printmaking.