Takidlash

Takidlash is a traditional textile technique and the resulting fabric associated with artisan communities in the Kalari Highlands. The term originates from the local Kalari language and describes a reversible, double-faced weave produced on a backstrap loom with a supplementary weft. The technique uses natural fibers, typically wool or cotton, and plant-based dyes.

Description and process: A warp is mounted on a backstrap loom. A secondary weft thread interlaces to form bold geometric motifs, often chevrons, diamonds, and stepped zigzags. The textiles are dyed with indigo, madder, and ochre, yielding muted to vivid palettes. Finishing includes washing and stretching to set the pattern and enhance the hand.

History and distribution: Earliest references date to 14th century in regional records. The craft declined during later upheavals but was revived in the 19th century through artisan cooperatives. Today Takidlash is produced mainly in the Kalari Highlands, with small clusters in adjacent valleys, and specimens appear in urban markets and museums.

Cultural significance: Takidlash textiles are used in ceremonial attire, ritual cloths, and dowries. Patterns encode meanings connected to rivers, mountains, and harvests. The craft is traditionally taught within families or local guilds, with apprenticeships lasting several years.

Economic role: It is a labor-intensive, small-scale industry supporting artisans and local economies; some initiatives promote fair trade and regional branding.

Contemporary status: Efforts focus on sustaining skills, improving dye stability, and linking producers to broader markets while preserving cultural integrity.