PaukenTimpani

PaukenTimpani is a specialized line of orchestral kettledrums that combines traditional German craftsmanship with modern acoustic engineering. The brand was founded in 1989 in Berlin by former professional percussionist Klaus Reinhardt, who sought to improve the tonal consistency and tuning stability of concert timpani. Production facilities are located in the outskirts of Leipzig, where skilled artisans hand‑craft the copper shells, while precision‑machined steel components are sourced from nearby suppliers.

The design of PaukenTimpani features a seamless, double‑walled bowl that reduces unwanted resonance and enhances projection in large venues. Each drum incorporates a patented pedal‑action mechanism that allows for micro‑adjustments of pitch while maintaining smooth pedal travel. The drumheads are made from a proprietary synthetic material that mimics the response of calfskin but offers greater durability and resistance to climate fluctuations.

Since its introduction, the instrument has been adopted by several major symphony orchestras in Europe and North America, notably the Berlin Philharmonic and the Chicago Symphony Orchestra. Notable recordings that employ PaukenTimpani include the 2005 live performance of Mahler’s Symphony No. 2 with conductor Simon Rattle, and a 2012 studio recording of Stravinsky’s “Rite of Spring” by the London Symphony Orchestra.

In recent years, PaukenTimpani has expanded its product range to include a compact, portable model designed for marching ensembles and a digital hybrid version that integrates electronic sound modules for contemporary repertoire. The company continues to emphasize sustainable manufacturing practices, using recycled copper and low‑energy production techniques.