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Linibizione

Linibizione is a fictional design concept used to illustrate the study of line-based optical effects in graphic design and visual culture. It describes approaches that deploy sequential, curved, or radiating lines to simulate depth, motion, and volumetric form on flat surfaces without the use of shading or color gradients. The result is an illusion of three-dimensionality achieved through line geometry alone.

The term Linibizione combines the Italian word linea (line) with a coinage derived suffix -bizione, and was

Historically, linibizione draws on Op art and late-modernist linework and gained attention in academic articles and

Practically, practitioners use varying line weights, spacing, curvature, and directional motifs—such as concentric rings, spirals, or

Reception is mixed: advocates highlight its efficiency and formal clarity, while critics point to potential legibility

proposed
in
discussions
of
optical
aesthetics
in
the
1990s
by
graphic
designer
Luca
Monti.
It
is
not
part
of
a
formal
design
discipline
but
rather
a
heuristic
speaking
to
a
set
of
practices.
design
portfolios
during
the
1990s
and
2000s.
It
is
most
often
discussed
in
the
context
of
poster
art,
typography,
and
digital
visuals
that
emphasize
line
economy
and
rhythm
over
color.
radiating
spokes—to
create
depth.
Digital
tools
enable
precise
control
of
line
density,
while
traditional
drawing
preserves
hand-crafted
texture.
It
is
typically
applied
to
posters,
album
covers,
and
architectural
visualizations,
where
the
emphasis
is
on
visual
tempo
and
legibility
at
a
distance.
issues
and
a
dependence
on
familiarity
with
optical-arts
conventions.
Related
concepts
include
Op
art,
line
art,
and
contour
drawing.