Klistermærkerne

Klistermærkerne, a Danish term translating to "the stickers," refers to a notable graffiti and street art phenomenon that gained prominence in Copenhagen, particularly during the late 1990s and early 2000s. This movement was characterized by the widespread application of adhesive labels, often hand-drawn or printed with distinctive imagery and slogans, across public spaces. Klistermærkerne were not typically large-scale murals but rather smaller, more ephemeral interventions that could be found on lampposts, street signs, benches, and even public transport.

The artists involved in Klistermærkerne often operated anonymously, using pseudonyms or simple symbols to mark their work. The content of the stickers varied greatly, encompassing political statements, social commentary, abstract designs, and humorous observations. This accessibility and ease of application allowed for a rapid proliferation of Klistermærkerne throughout the urban landscape, creating a unique visual texture and a sense of constant artistic dialogue.

While some viewed Klistermærkerne as vandalism, many saw it as a form of democratic art, reclaiming public space and injecting creativity into the everyday environment. The movement contributed to a broader street art culture in Copenhagen, influencing subsequent generations of artists and leaving a lasting impression on the city's visual identity. Though the intensity of the Klistermærkerne movement has waned, remnants and echoes of this sticker art culture can still be observed in various urban settings.