Artesiani

Artesiani is a term used in contemporary art, design criticism, and craft discourse to describe a class of artisans who blend traditional handcraft techniques with modern design methods and technologies. The label is not tied to a single organization or school, and its meaning varies by context, but it generally signals a commitment to skilled manual work, material literacy, and small-scale production.

The word draws on Italian roots such as arte and artigiano, and borrows the plural suffix -siani to suggest a collective or cultural identity. The usage has spread beyond Italian speaking contexts through design journalism and gallery contexts.

The term began appearing in design magazines and exhibition wall texts in the early 2000s, often in discussions of slow design, local economies, and sustainable craft.

Artesiani studios typically emphasize proximity to source materials, use of local or recycled materials, and transparent production methods. They often run workshops, collaborations with communities, and limited runs; digital tools may be used for prototyping, but final pieces are made by hand.

Supporters see artesiani as counter to mass production and a way to preserve traditional skills while addressing contemporary concerns about sustainability and identity. Critics warn of vagueness in the term and potential co-optation by marketing; the identity can be self-ascribed and fluid.

Geographically diverse, with presence in Europe, North America, and parts of Asia; it overlaps with maker movement and craft revival trends; there is no centralized governance or canon.