throatsinger

Throat singing, also known as overtone singing or harmonic singing, is a vocal technique where a single performer produces multiple pitches simultaneously. This is achieved by manipulating the resonant cavities of the vocal tract, primarily the mouth and pharynx, to selectively amplify certain harmonics of the fundamental vocal pitch. By altering the shape and position of the tongue, lips, and larynx, a throat singer can create a droning fundamental note while simultaneously singing a clear, higher-pitched melody above it.

This unique vocal style is most famously associated with cultures of Central Asia, particularly Tuvan and Mongolian peoples. In these traditions, throat singing is deeply intertwined with shamanistic practices and is often used to imitate the sounds of nature, such as wind, water, or animal calls. Different styles of throat singing exist, each with distinct techniques and sonic qualities. For example, Sygyt produces a whistling-like melody, while Kargyraa creates a deep, rumbling bass sound alongside the fundamental. Khoomei is a more general term encompassing various overtone singing techniques.

Beyond its traditional roots, throat singing has gained international recognition and is explored by musicians across various genres, including experimental, electronic, and world music. Its complex harmonic textures and ethereal quality offer a unique sonic palette for contemporary artists. The precise physical mechanisms involved in producing these sounds are still a subject of scientific inquiry, highlighting the remarkable complexity and control of the human vocal apparatus.