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taala

Taala, also spelled taala or tala, is the rhythmic framework used in Hindustani classical music. It refers to a cyclic pattern of beats that organizes a composition and its improvisation. Every taala has a fixed number of beats, called matra, and is subdivided into sections called vibhags. Beats with accents are marked by taali (claps) and lighter or empty beats by khali; the cycle is maintained by percussionists, most often the tabla, through syllables known as bols.

Taala is realized through a set of bol patterns that correspond to each beat. Common taalas include

A note on usage: The concept is central to rhythmic organization in Hindustani performance, especially in tabla-accompanied

In Carnatic music, a similar concept is tala, though the systems have distinct structures.

Teentaal
(16
beats,
4+4+4+4),
Ek
Taal
(12
beats,
4+4+4),
Dadra
(6
beats,
3+3),
Keherwa
(8
beats,
2+2+2+2),
and
Jhaptal
(10
beats,
2+3+2+3).
Performers
align
melodic
phrases
with
the
cycle
and
often
vary
tempo
(laya)
during
a
performance.
improvisation.
While
etymologically
related
to
Sanskrit
tala
meaning
rhythm
or
clap,
taala
is
the
term
commonly
used
in
colloquial
Hindi
and
Urdu
transliteration.