rekvizitumokra

Rekvizitumokra is a term that appears in certain literary and dramatic contexts, often associated with the works of Russian author Daniil Kharms. It doesn't refer to a specific object or category of items in the traditional sense. Instead, "rekvizitumokra" is a neologism, a portmanteau word, that combines "rekvizit" (props in Russian) with a suffix suggesting a collection or a domain.

The term is frequently used in discussions of absurdist literature and performance art. It signifies the collection of seemingly random, often mundane, or even nonsensical objects that are employed within the narrative or theatrical space. These objects, while bearing the label of "props," often transcend their typical function. In the context of Kharms's work, for instance, these "rekvizitumokra" items are not merely decorative or functional to the plot in a conventional way. They are integral to the creation of an atmosphere of bewilderment, disorientation, and a disruption of ordinary logic.

The significance of "rekvizitumokra" lies in its ability to highlight the arbitrary nature of reality and the breakdown of rational order. The objects themselves might be everyday items like chairs, hats, or teacups, but their presentation and interaction within the artistic work imbue them with a new, often unsettling, meaning. It is through the arrangement and juxtaposition of these objects that the underlying themes of existentialism, the absurd, and the peculiar nature of human experience are often conveyed. The term, therefore, encapsulates the curated strangeness that defines certain avant-garde artistic expressions.