recordmaking

Recordmaking refers to the process of creating a recorded audio work, from initial concept through capture, processing, and final distribution. The term can also encompass the production of physical media such as vinyl records and CDs, as well as the preparation of digital releases.

The recording phase involves pre-production planning, arranging, selecting microphones and room setup, tracking sessions, and often overdubs. Engineers balance levels, apply equalization and compression, and use multi-track recording to separate parts. The role of a producer or recording engineer is to shape sound and performance while maintaining artistic intent.

After recording, mixing combines tracks, applying effects and automation to create the finished stereo or surround sound. Mastering then prepares the final mix for distribution, optimizing loudness, tonal balance, and compatibility across playback systems. For physical formats, a separate manufacturing process occurs: vinyl involves mastering to a lacquer, producing metal stampers, and pressing vinyl records; CDs require glass mastering and replication; digital releases are encoded and delivered to distributors.

In contemporary practice, most recordmaking occurs in digital workflows using computer-based digital audio workstations, while a subset adheres to traditional analog techniques. Distribution channels include streaming services, download stores, physical retail, and licensing for film, television, and advertising. The field maintains standards for metadata, rights management, and quality control to ensure accessibility and provenance.