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maqama

Maqama (Arabic: مقامة) is a classical literary genre of Arabic prose that is written in rhymed, rhythmic prose (saj’) and often interwoven with poetry. Characterized by linguistic virtuosity, wordplay, and layered rhetoric, maqama typically presents a sequence of episodes featuring a witty, roguish narrator who travels through urban settings, encounters a variety of characters, and describes clever or satirical encounters. The form emphasizes social observation, satire, and moral instruction rather than straightforward plot.

The genre originated in the Islamic medieval world, with early development attributed to the Basra-based writer

Beyond Arabic, the maqama tradition influenced Persian literature and, to varying extents, other Islamic literary cultures.

See also: Maqama (literary genre), Al-Hamadhani, Al-Hariri, Saj’ (rhymed prose).

Al-Hamadhani
(c.
10th–11th
century).
It
culminated
in
one
of
its
most
famous
and
influential
works,
Maqamat
of
Al-Hariri
of
Basra
(11th–12th
century),
which
became
a
high
point
of
classical
Arabic
prose
and
shaped
the
tradition
for
centuries.
Maqamat
often
employ
elaborate
introductions,
rhetorical
devices,
and
picaresque
episodes
in
which
the
protagonist
outwits
others,
roams
through
markets
and
courts,
and
conveys
social
critique.
The
form
is
valued
for
its
linguistic
artistry,
inventive
syntax,
and
capacity
to
showcase
a
storyteller’s
cleverness
and
range.
In
modern
usage,
the
term
maqama
may
appear
in
discussions
of
related
narrative
techniques
or
in
reference
to
the
musical
concept
maqam
in
Middle
Eastern
music,
though
the
two
senses
are
distinct—maqam
in
music
denotes
a
melodic
framework
rather
than
a
literary
type.