artificialism

Artificialism is a philosophical and artistic movement that emphasizes the creation and appreciation of art that is entirely human-made, often to the exclusion of natural or organic forms. The term was coined by the French philosopher and art critic Jean Baudrillard in the 1980s, who argued that in a post-industrial society, the distinction between nature and culture, and between the natural and the artificial, has become increasingly blurred. Artificialism posits that art should be created with a full awareness of its artificiality, and that the artist's role is to manipulate and control the materials and processes of creation.

Artificialism is often associated with the use of technology in art, such as digital art, video art, and installations that incorporate electronic components. However, it is not limited to these mediums, and can encompass a wide range of artistic practices, from sculpture and painting to performance and conceptual art. The movement has been influenced by various philosophical and theoretical frameworks, including post-structuralism, postmodernism, and the philosophy of technology.

Critics of artificialism argue that it can lead to a devaluation of natural forms and a focus on the artificiality of art, rather than its aesthetic or emotional qualities. They also contend that the movement's emphasis on technology can make art inaccessible to those without access to the necessary tools and resources. However, proponents of artificialism maintain that the movement's focus on the artificiality of art is a strength, as it encourages artists to question and challenge the boundaries of what is considered art, and to explore the possibilities of new materials and techniques.