Tantsukunstis

Tantsukunstis, often translated as dance art, refers to the field in which movement is the central artistic medium. It encompasses the creation and presentation of choreographic works, pedagogy, interpretation, and critical discourse around movement. The term acknowledges dance as an autonomous art form with its own expressive possibilities and formal principles, while also connecting to other art forms and disciplines.

Core practices include traditional and stylized forms such as ballet and contemporary dance; but the field also includes experimental, improvisational, site-specific, and participatory practices. Performances may take place in theatres, galleries, streets, or non-traditional venues; they may be staged works or improvisational events; audiences can be observers or participants. Movement is studied for its technical, aesthetic, and social dimensions, with attention to body, space, tempo, and dynamics.

Education and research: training occurs in conservatories, universities, and independent studios, alongside professional development programs for choreographers and dancers. The discipline overlaps with dance criticism, pedagogy, dramaturgy, and dance technology, including video, lighting, and interactive media. The field also investigates questions of representation, accessibility, and the social impact of performance.

Global and regional contexts: tantsukunstis is practiced worldwide, with diverse styles and communities, and is supported by studios, companies, festivals, and funding bodies. It plays a role in cultural heritage, innovation, and the evolving language of movement.