Spreadistas

Spreadistas is a term that emerged in the early 2000s, primarily associated with a group of individuals who advocated for and practiced the art of "spread," a form of performance art that often involved public, sometimes provocative, displays. These individuals, often identifying as artists or performers, used their bodies and immediate surroundings as a canvas for their expressions. The term itself is a portmanteau of "spread" and "-ista," denoting a practitioner or enthusiast of a particular activity or ideology.

The activities associated with spreadistas were varied and could include anything from spontaneous, choreographed movements in public spaces to more static, tableau-like presentations. The emphasis was on creating a visual or experiential impact on the audience, often challenging conventional notions of art and public behavior. While some spreadista performances were intended to be humorous or surreal, others explored more serious social or political themes.

The movement, if it can be called that, was never a formally organized entity with a manifesto or strict membership. Instead, it was a loosely connected network of artists who shared a common interest in this type of performance. Documentation of spreadista activities often occurred through photography and video, which helped to disseminate their work beyond the immediate live audience. The term and the associated practices saw a peak in popularity in the mid-2000s, with its influence gradually becoming less visible as artistic trends evolved.