Siirtoosasta

Siirtoosasta is a type of avant-garde filmography technique developed in the early 20th century. The term, coined by Finnish filmmaker E.A. Tupa, refers to a style of filmmaking that emphasizes the fluid and mutable nature of cinematic representation. At its core, siirtoosasta is a method of absorbing and re-presenting moving images in a way that systematically subverts the codes and norms of conventional filmmaking.

Siirtoosasta involves a process of chrono-photography, where the film image is subjected to various degrees of temporal and spatial dislocation. Through the use of digression, remake, and framing theories, the customary order of the film narrative is disrupted, often resulting in fragmented, fractured, and hybridized realities. This style of filmmaking seeks to dissolve the illusory connection between reality and its cinematic representation.

Film theorists have interpreted siirtoosasta as an aesthetic response to the constraints of modernist filmmaking, reflecting the contradictions between the immersive and immaterial aspects of early cinema. Siirtoosasta, in effect, stands as an antidote to both conventional filmmaking practices and more radicalist cinematic dissolutionism. Through this methodology, the observer's perception of the cinematic image is forced to continually realign their understanding of the expected dramatic titration with an explanation with unseen norms slipping.

A relatively underground practice, siirtoosasta avoided mass mainstream exposure. Contemporary film historians contend that it allocated overall acceptance for sharing and contrasting personal perspectives with perspectives specific within the core call. This peer distribution contained valance claims employed through storytelling accomplishment side line submission.