Oygha

Oygha is a traditional musical instrument originating from the Uyghur people of Xinjiang, an autonomous region in Northwest China. The name "Oygha" is derived from the Uyghur language, where it refers to a type of plucked string instrument. It is closely related to the Central Asian *dutar*, a two-stringed instrument, and shares similarities with the Persian *setar* and the Turkish *saz*.

The Oygha typically features a pear-shaped body made from wood, such as mulberry or walnut, with a narrow neck and a soundboard stretched over the top. It is usually played while seated, with the instrument resting on the player’s lap. The instrument has two main strings, though some variations may include additional sympathetic strings that resonate when the main strings are plucked. The sound produced is warm and resonant, often used in Uyghur folk music, Sufi devotional songs, and classical compositions.

Musicians play the Oygha using a plectrum or fingernails, employing techniques such as *mourlam* (a fast, rhythmic strumming) and *tutqan* (a melodic, fingered style). The instrument plays a central role in Uyghur cultural performances, accompanying vocalists or playing as a solo instrument. Its music often reflects themes of love, nature, and spiritual reflection, blending influences from Turkic, Persian, and Chinese traditions.

The Oygha has been an important part of Uyghur heritage for centuries, though its popularity has faced challenges due to political and social changes in the region. Efforts to preserve and promote the instrument continue through cultural festivals, educational programs, and recordings by contemporary musicians. It remains a symbol of Uyghur identity and artistic expression.