Neekompressorists

Neekompressorists is a term used to describe a niche group of individuals who specialize in the collection, preservation, and study of vintage and obsolete audio compression technologies, particularly those from the 1970s to the 1990s. The term blends "neocom" (a portmanteau of "neo" and "compression," referencing the revival of interest in analog audio techniques) with "compressor," highlighting their focus on analog audio compressors and related gear.

These enthusiasts often seek out rare or discontinued models, such as the Fairchild 670, dbx 160A, or Teletronix LA-2A, which were once widely used in recording studios but have since become highly sought-after due to their unique tonal characteristics. Neekompressorists may restore, modify, or repurpose these devices, sometimes integrating them into modern recording setups to achieve vintage sound textures. They also engage in discussions about the technical and aesthetic nuances of different compressors, often sharing insights on their operation, maintenance, and creative applications.

The community surrounding neekompressorists thrives on forums, social media groups, and specialized events where collectors, engineers, and musicians exchange knowledge. Some enthusiasts even build their own compressors or experiment with emulating their behavior using digital plugins. While the term is not widely recognized outside of audio hobbyist circles, it reflects a broader trend of reviving and appreciating analog audio technology in contemporary music production.

Neekompressorists often emphasize the tactile and sonic qualities of analog compression, distinguishing it from digital alternatives. Their work contributes to the preservation of audio engineering history while influencing modern sound design. The practice remains a blend of nostalgia, craftsmanship, and artistic experimentation within the broader audio technology landscape.