Dangas

Dangas are a traditional form of Korean dance-drama that originated in the Joseon Dynasty (1392–1910). The term "danga" (단가) combines the Korean words *dan* (단), meaning "song," and *ga* (가), meaning "music," reflecting its dual nature as both a musical performance and a narrative art form. Dangas were performed by traveling entertainers called *sangga* (상가), who traveled from village to village, sharing stories, music, and dance to entertain and educate audiences.

The performances typically featured a solo singer accompanied by a *gayageum* (a traditional Korean zither) or *janggu* (a drum), though some included additional instruments like the *daegeum* (a bamboo flute). The lyrics of dangas often told moral tales, historical anecdotes, or romantic stories, blending humor, satire, and social commentary. Themes frequently addressed everyday life, court intrigues, or legendary figures, making the performances accessible and relatable to a broad audience.

Dangas were particularly popular among commoners, as they provided a form of entertainment that contrasted with the more formal and rigid performances of the aristocracy. By the late Joseon period, the genre began to decline due to changing social values, the rise of Western influences, and government restrictions on public performances. However, efforts to revive and preserve dangas have continued into the modern era, with scholars and cultural organizations working to document surviving texts and performances.

Today, dangas are recognized as an important part of Korea’s intangible cultural heritage. They offer insight into the social and cultural dynamics of pre-modern Korea, reflecting the values, humor, and storytelling traditions of the time. While no original recordings exist, scholars have reconstructed performances based on historical texts and surviving musical notations, ensuring that this unique art form remains accessible to contemporary audiences.