Össztornya

**Össztornya** refers to a traditional Hungarian architectural and structural concept that translates to "whole tower" or "complete tower." It is most commonly associated with the design and construction of church towers, particularly in the 18th and 19th centuries, though the term can also apply to other types of towers in Hungarian architecture.

The term *össztornya* is often used in the context of Baroque and Rococo church designs, where a single, unified tower structure dominates the facade. Unlike some Western European churches that feature separate bell towers or spires, Hungarian Baroque churches frequently incorporated the tower directly into the main body of the building, creating a cohesive and visually striking appearance. This style was influenced by Italian and Central European architectural trends but adapted to local materials and tastes.

A notable example of this style is found in many Hungarian Baroque churches, such as those in Budapest, Székesfehérvár, and other historic towns. The tower typically includes a bell chamber, often with multiple bells, and is crowned with a dome or spire. The integration of the tower with the church’s main structure emphasizes verticality and grandeur, reflecting both religious and aesthetic ideals of the period.

While *össztornya* is primarily associated with ecclesiastical architecture, the term can also describe similar tower designs in secular buildings, such as town halls or palaces. Its use in modern Hungarian architectural discourse often highlights the continuity of historical building traditions in contemporary construction. The concept remains a significant element in the cultural heritage of Hungary, symbolizing the fusion of religious devotion and artistic expression.