visualgestuales

Visualgestuales is a term coined by artist and researcher Ana María Hernández to describe a unique artistic practice that combines visual art with gestural performance. This interdisciplinary approach integrates traditional painting and drawing techniques with live, physical movement and expression, creating a dynamic and immersive experience for both the artist and the audience.

At the core of visualgestuales is the idea of synesthesia, where different senses are interconnected. In this context, visual art serves as a canvas for the artist's gestures, which are executed in real-time, often mirroring the emotional or conceptual content of the artwork. This synergy allows for a fluid exchange between the visual and the gestural, resulting in a holistic artistic experience.

Hernández' visualgestuales performances are characterized by their immediacy and spontaneity. The artist often works directly on the canvas, using her body as an extension of her brush, creating a live, interactive painting process. This direct engagement with the materiality of the art-making process is a key aspect of visualgestuales, emphasizing the artist's presence and the immediacy of the creative act.

The term visualgestuales also highlights the performative aspect of the practice, as the artist's gestures are not merely decorative but are integral to the meaning and impact of the artwork. This performative dimension can evoke a sense of intimacy and connection between the artist and the audience, as viewers are invited to participate in the creative process through their observation and interpretation of the artist's movements.

Visualgestuales has been influential in the contemporary art world, challenging traditional notions of what constitutes art and how it is experienced. By blurring the lines between different art forms, visualgestuales encourages a more holistic and interdisciplinary approach to artistic practice. The work of Ana María Hernández and other artists associated with this movement continues to push the boundaries of what is possible in contemporary art.