realrealis

Realrealis is a term used in media theory and philosophy to describe a mode of representation that foregrounds the status of reality claims in a work while remaining aware of the constructed nature of those claims. The word combines "real" with "realis," referencing the realis/irrealis distinction found in some linguistic traditions and signaling attention to what counts as real within a given frame.

In practice, realrealis materials tend to use self-reflexive or documentary aesthetics, making visible the processes of recording, editing, data generation, or simulation that confer apparent veracity. Works described as realrealis often resist straightforward taxonomy, balancing elements of documentary truth, speculative scenario, and procedural or computational provenance. The approach is typically contrasted with hyperrealism, which seeks to simulate or intensify realism, whereas realrealis aims to disclose its own fabrication and contingency.

Origins and usage: Realrealis emerged in scholarly discussions within digital media studies, film theory, and speculative realism in the early 21st century, though it remains an informal, evolving label rather than a standardized category. It is particularly associated with media artworks, interactive installations, and postdigital texts that emphasize visibility of mediation.

Reception and evaluation: Proponents argue that realrealis-based works foster critical reflection on how media create the impression of "the real." Critics note that the term can be diffuse and overlapping with established concepts such as metafiction, reflexive realism, or documentary realism.

See also: realism, hyperrealism, metafiction, reflexive cinema, realis mood, irrealis.