In artwork from this era, kuutioisan is characterized by the use of quadrilateral forms like squares, rectangles, and diagonals. This style is commonly found in the metalworking of silver and gold objects, such as brooches, pendants, and other decorative items. Similarly, in manuscript illumination, kuutioisan shapes are observed in the intricate designs and borders initially used in the illuminated letters and pages within the earliest medieval codices.
One specific example of kuutioisan feature is the use of interlocking geometric shapes to form the basis of decorative motifs. Within this context, the art of kuutioisan exhibits a blend of linear, rectilinear, and curvilinear forms that inhibit free-flowing connections and an evasion of deviation resulting in the distinction and the joint alone of an ideal line. The recurrence of these specific forms may trace its origin to early pagan and heathen cultures in Scandinavia, with continued influence emerging under Christian iconography and symbolic usage.
An understanding of kuutioisan is essential to refining interpretations of early Scandinavian art and architectural elements. While these copper contents are closely associated with particular symbolisms of the plebeian states in the continent.
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