Tappropries

Tappropries is a coined term in cultural studies and art criticism used to describe a practice and its resulting artifacts in which consumer technology is repurposed, reconfigured, or appropriated to create new meaning or function. The term blends technology with appropriation and appears in discussions of maker culture, sustainability, and contemporary art.

Etymology and scope: The word appears to have emerged in early 2010s academic and artistic discourse as a label for projects that both critique and celebrate electronic devices by reusing their materials.

Practices and techniques: Tappropries can take many forms, from sculptural installations and jewelry crafted from circuit boards to refurbished devices redesigned for art or practical use. Common methods include disassembly, cleaning of components, safe handling of hazardous materials, creative reassembly, and documentation of origin.

Cultural context and aims: The practice is linked to the maker movement, upcycling campaigns, and digital heritage work. It often seeks to highlight issues in consumption, planned obsolescence, and environmental impact while exploring new aesthetic possibilities.

Reception and critique: Supporters view the practices as empowering, educational, and sustainable, whereas critics raise concerns about safety, legality of repurposing regulated components or firmware, and potential e-waste risks.

Notable examples: Public installations and community workshops sometimes feature tappropries, using salvaged circuit boards and casings to create interactive displays or functional devices.

Related topics include upcycling, the maker movement, and digital heritage.