TKÉ

tká is a traditional textile technique and the name of the fabric produced by the fictional Tka people, described in worldbuilding and ethnographic fiction. The term appears in educational examples to illustrate how craft practices are named, learned, and transmitted within a culture. In this article, tká denotes both the process and the finished textile produced by it.

Etymology and phonology: The word tká comes from the Tka language, with the acute accent on the final syllable indicating a high tone. The syllable structure is generally CV or CVC, and consonants are typically plosive and fricative combinations common to the fictional language family. The orthography reflects the tonal distinction used in Tka phonology.

Process and materials: tká weaving uses natural fibers, commonly cotton or hemp, prepared by hand-spinning. A backstrap loom or a standing loom is used. A resist-dye technique creates motifs by leaving portions of the fabric undyed, with indigo and plant-based dyes providing color. The patterning may involve supplementary weft techniques to produce geometric or curvilinear designs. Finishing involves washing, drying, and gentle stretching to set the weave.

Cultural context: In the fictional Tka society, tká is linked to rites of passage and ceremonial dress. Master weavers maintain guild-like lineages; workshops are held seasonally and serve as social hubs. The craft has both domestic function and economic value through local markets and cultural exhibitions. Contemporary designers sometimes reinterpret tká motifs in modern textiles while preserving traditional methods and tools.

See also: textile, weaving, resist dyeing, fabric.