Standins

Stand-ins are individuals who temporarily take the place of a principal actor for technical purposes on film, television, or theatre productions. They do not perform the character’s lines or actions on camera; instead, their role is to help set lighting, frame shots, and rehearse blocking so crews can work efficiently while the lead performer is unavailable or preparing for a scene.

In film and TV, stand-ins are typically chosen to resemble the actor in height, build, hair color, and sometimes wardrobe. They participate in rehearsals and pre-shoot setups to establish camera positions, lighting templates, and blocking notes. The actual performance is reserved for the principal actor, and the stand-in is usually released before the scene is captured for final footage.

Stand-ins differ from other types of doubles. A photo double stands in for promotional stills or publicity imagery; a body double or stunt double performs the actor’s actions, stunts, or intimate scenes when required by the production. Stand-ins, by contrast, are primarily for technical preparation and do not normally appear in the final product in the role of the character unless they also serve in another capacity.

In live theatre, the term stand-in is less common; productions rely on understudies or standbys to cover for performers who are absent. Stand-ins may be used during rehearsals or temporary adjustments but typically do not perform on stage during regular shows unless assigned to fill in.

Hiring and compensation of stand-ins vary by jurisdiction and union rules. They are usually paid on a daily basis and may be contracted through casting agencies or the production’s casting department. Requirements commonly include eligibility verification, a headshot, and a quick assessment to match the actor’s physical characteristics.