Silputtu

Silputtu is a traditional fiber weaving practice rooted in the coastal archipelago of Silpura. It denotes both a craft and a family-based social activity that produces ceremonial mats, baskets, and garments used in festivals and daily life. The practice is characterized by modular weaving methods, bright natural dyes, and geometric motifs that vary by village.

Etymology and scope: The name Silputtu derives from the Silpur language, where sil means together and puttu means weave. The term can refer to individual woven pieces as well as the broader technique and design tradition.

Geographic distribution and technique: Silputtu is most commonly practiced in coastal districts of Silpura, with variations in inland valleys. Weaving is typically done on backstrap looms or handheld tablet looms. Fibers come from local palms, jute, cotton, and occasionally river reed, with dyes prepared from plant sources.

Cultural significance: Silputtu pieces function as social and ceremonial objects, often exchanged during rites of passage and community gatherings. Apprenticeships link elders and youths, with mastery signifying responsibility and status within a family or village. Finished works also serve as symbols of communal identity.

Economy and modern context: In recent decades, Silputtu has grown as an artisanal craft with markets in regional towns and diaspora communities. Contemporary designers sometimes blend traditional motifs with new forms, expanding its relevance beyond local ceremonial use while preserving core techniques.

History: The practice is believed to have emerged through maritime exchange networks that connected Silpura with neighboring regions, later absorbing influences from various textile traditions during the post-medieval period.

See also: Basket weaving, Textile art, Cultural heritage.