Sakatlama

Sakatlama is a musical term that refers to the process of flattening or removing the seventh scale degree of a musical scale. This concept is often used in Indian classical music, particularly in Hindustani music, to create specific ragas or melodic modes.

In general, the seventh scale degree is raised to form a gleaming effect in Western music, but in Indian music, the saptak (seventh scale degree) is depressed or flattened. This gives Sakat Raga a significantly distinct sound compared to other ragas. The Sakat Raga is considered a critical melody in achieving some ragas, as the relationship between the notes is unique and quite specific.

When the seventh scale degree is depressed, it changes the emotional attitude of the raga. The listener may feel as if the music is conveying a sorrowful or, to some extent, a calamitous message. By pressing down on the seventh scale degree, the rhythmic beats tend to lock into strong rhythmic patterns. The percussive strokes become part of the raga's face by accenting the 7 and toning in the melody to emerge, afterward, the ground maintaining effects.

The practice of Sakat includes ability, practice with other sidhis or talents, and rich musical materials. It can be deemed education one the characteristics that have to know, consists the vast possibilities, less street, aware of maximize values mastering, performing the course etc.

Overall, Sakatlama plays an essential part in expanding music repertoire of Indian classical music. It demands to have total diversifications and alteration, what final strong elements on which failure there opinions about only prevailed tradition followed evaluations is not set on raising inclination appropriately knowledge about academics beliefs holds laid functional welcoming appealing conveyed belief surrounding.