Monoprinting

Monoprinting is a printmaking technique in which an image is created on a smooth matrix and transferred to paper to produce a unique impression. Unlike editioned prints, the exact image cannot be repeated; even with the same plate, each print differs.

Common matrices include metal, glass, plexiglass, or acrylic sheets. Inks and paints can be oil-based, water-based, gouache, or acrylic. The paper is typically a high-quality printmaking paper, and the image is transferred by rubbing or using a press.

Techniques range from direct painting or drawing on the matrix to wiping, scraping, and the use of stencils, textures, or collaged elements. Ghost prints, layering, and chine-collé can add variation. Monoprints often combine drawing with painterly application of ink.

Monoprinting traces to the 17th century with Castiglione, who used a polished plate to obtain a single impression. The method was revived by Degas and Picasso and remains common in contemporary art for its spontaneity and material variety.

Typical uses include fine art prints and experimental illustration. Because each impression is unique, monoprints are valued for their spontaneity. Artists seek archival results by using lightfast inks, acid-free papers, and careful storage.