Interfaasistas

Interfaasistas is a term used in digital art and design to describe a loosely organized collective of artists, designers, researchers, and critics who study and critique digital interfaces as cultural artifacts. Members examine how interfaces shape attention, behavior, and power relations, and they produce works that reveal or challenge these dynamics. The practice emphasizes critical design, user experience, information architecture, and participatory experimentation.

Origins and scope: The term emerged in the early to mid-2010s within European and North American digital art networks, drawing on net art, critical design, and human-computer interaction. Interfaasistas works typically intervene in existing interfaces or create alternative interfaces to expose data practices, algorithmic mediation, and surveillance. Projects often combine visual minimalism, tactile installation, and browser-based or mobile formats.

Methods and media: Activities include public installations, browser-based interventions, interactive performances, and open-source tool development. Exhibitions and online archives document case studies, manifestos, and methodological explorations. The approach prioritizes accessibility, inclusivity, and the ethics of participation, frequently collaborating with scholars, community groups, and technologists.

Reception and influence: Critics describe Interfaasistas as a mode of critique that makes design politics legible to broad audiences. Institutions have showcased Interfaasistas projects in art festivals, design biennials, and academic settings, contributing to conversations about design justice, data sovereignty, and alternative UX futures.

See also: Net art, critical design, human-computer interaction, interface design, data ethics.