Inszövetekben

Inszövetekben, also known as "In the Fabric," is a Hungarian film directed by Béla Tarr and released in 2019. The film is a continuation of Tarr's "The Turin Horse" trilogy, which began with "The Man from London" (1987) and continued with "Satantango" (1994). "Inszövetekben" is the third and final installment in the trilogy, exploring themes of time, memory, and the passage of life.

The film follows the protagonist, Ádám, as he reflects on his past and the events that have shaped his life. Ádám is a man in his late 40s who has been living a quiet life in a small town, working as a librarian. The film's narrative is non-linear, with Ádám's memories and flashbacks interspersed with his present-day experiences. This structure allows the audience to piece together the story of Ádám's life, which is marked by tragedy and loss.

One of the central themes of "Inszövetekben" is the passage of time and the inevitability of death. Ádám's memories of his past are filled with images of his family and friends, who have all passed away. The film's slow pace and minimal dialogue allow the audience to contemplate the passage of time and the inevitability of death. The film's final scene, in which Ádám watches a sunset, is a poignant reminder of the transience of life.

Another theme of the film is the power of memory and the way it shapes our perception of the past. Ádám's memories are often distorted and incomplete, reflecting the way our memories can be shaped by our emotions and experiences. The film's non-linear narrative structure allows the audience to see the past through Ádám's eyes, highlighting the subjective nature of memory.

"Inszövetekben" is a deeply personal and introspective film that explores the complexities of human experience. Tarr's use of non-linear narrative and minimal dialogue allows the audience to reflect on the themes of time, memory, and the passage of life. The film's slow pace and atmospheric cinematography create a sense of intimacy and immediacy, drawing the audience into Ádám's world and allowing them to experience the film's themes on a deeply personal level.