Banornics

Banornics is a term used to describe a style of music that originated in the late 20th century. The genre is characterized by its heavy use of synthesizers and electronic drum machines, as well as its focus on dark, atmospheric soundscapes.

Banornics emerged in the 1970s and 1980s, primarily among experimental artists and musicians who were pushing the boundaries of traditional rock and electronic music. Pioneers of the genre included Kraftwerk, Tangerine Dream, and Brian Eno, all of whom experimented with new sounds and technologies to create a unique sonic aesthetic.

Music in the Banornics style often features repetitive rhythms, warped melodies, and a heavy preponderance of ambient textures. Lyrically, Banornics compositions often touch on themes of technology, alienation, and the intersection of human experience with the rapidly changing world.

The term "Banornics" was first used to describe the music of Brian Eno, in his 1978 album "Music for Airports." From there, the term expanded to include a broader range of musicians and bands who were working in the genre, including acts such as Coil, Cabaret Voltaire, and Front de gauche.

Today, the term Banornics is used to describe a wide range of electronic and experimental music. While the movement's original focus on groundbreaking, avant-garde sounds has given way to a more diverse and prolific scene, the influence of Banornics can still be heard in much modern electronic music.

Overall, Banornics remains a unique and influential genre that continues to inspire and shape the electronic music scene.