yapmakçizmekfigürletirmek

Yapmakçizmekfi is a neologism used in contemporary design and art discourse to describe a practice that merges making and drawing as a single, ongoing process.

Etymology and scope: The term combines Turkish yapmak ('to do, to make') and çizmek ('to draw') with the suffix -fi, a constructed element signaling an experimental or provisional status. It was coined in the 2010s by Turkish designer-scholars and first documented in regional design forums around 2014; since then it has circulated mainly in theory and studio practice rather than in formal canon.

Practice and methodology: Practitioners perform actions that yield both physical artifacts and accompanying drawings at the same time. The method emphasizes iterative cycles, real-time documentation, and reflection on tacit decisions embedded in how a thing is made and how it is represented. The resulting works or process notes are often provisional, serving as a springboard for concept development rather than fixed outcomes.

Applications and significance: In education and studio culture, yapmakçizmekfi is used to teach process awareness, material agency, and cross-disciplinary thinking. Proponents argue that it helps reveal the relationship between doing and recording, while critics warn that the term can be vague and its practices overlap with established workflows in design and art.

Further reading: Discussions appear mainly in artist statements, design blogs, and experimental pedagogy papers rather than mainstream reference works.